It's lockdown - we cried, we laughed, we stressed, we cooked. A pandemic narrative and a dance with Zoom.

Performing artist Ari Dwianto uncovers the ghosts and spices behind his dance. Everyday memories and experiences as a teenager growing up during the dictatorship had apparently disciplined his body.

Painting ink is triggered by music on transparent 16mm film. The experience of the exposed film is further intensified through dance. Instruments become bodies become movement become ink.

An omen that happened to be true, is remembered from the future. The last two human beings remaining see the dawn of the reigning aeon.

Skin/out presents a reflection on the themes of threshold and rebirth. A tactile conversation of reconstruction and mutation through the organic matter of skin, the boundary that separates each subject from its environment.

Seeking to create a kind of audio-visual choreography composed of micro-movements and objects, the artist explores the correlations between sound, image, and the body, as well as the potential to exchange information across two moving images screened in parallel. This process leads to a playful experiment.

A funeral of an old family becomes a memorial ceremony of a new one. Nowadays, personal entertainment devices, represented by smartphones and ‘human and non-human relationships’ in them, dismantle and replace families at the same time. Based on the performance ‘♡’ by Min Kyoung Lee and the Korea National Contemporary Dance Company.